Monday, 29 April 2013

Evaluation of Prep

My journey began with the idea of a dark and twisted side to the alice in wonderland franchise. I was trying to find the sinister undertones that are present in the books and films, the idea of a young girl lost in a world that she had wished to be true, an escape that children often dream up and play in in their mind. Initially I thought of the idea that Alice was insane, locked in an asylum where she explored wonderland inside her mind. the world of wonderland and the characters from within it would appear to burst from her head as Alice looked on with menace on her face emphasising the idea that wonderland was normal to her, even though if you explain to someone about the world you vista in your head and described wonderland, they would thin you where a rambling mad person (that is how you would appear on the outside). This would make the viewer the in-between viewing what is inside from the outside and appreciating the world she conjured but understanding that it wasn't normal. Other ideas where to explore the "hippie" idea that Alice was on drugs, giant psychedelic mushrooms, opium and wild trips with strangers, living free and wild with all the cares of a child (none other than having fun). Exploring wonderland from a secondary point of view as if alice was taking you on her trip again putting you in-between by not being on a trip but experiencing hers. Another was the idea of the monsters that where created for wonderland, put the viewer in the place of alice and let them experience the fear that Alice would have felt when she came into contact with the jabberwocky or the bandersnatch. Though I realised that this was far off from my original brief which was to illustrate scenes from the book. I found one particular scene being the little crocodile poem
To find inspiration and guidance I looked to the original illustrator of the world, that being John Tinnel to make my on versions of his characters. As all of the illustration in the book where black and white I looked to modern illustrator. I wanted colour. I found Raphael Vicenzi. The vibrant explosive colours in his work where what I needed bring my illustrations to life.
Through the project some digital experiments which where a big help in the find of a composition of my final piece. I also looked into the defining features of characters, that being the face an looked into tutorials on how to draw things like lips and eyes as they are not my strong points.
In conclusion I was a little disappointed at the end of the exam as i wanted to do three illustrations and managed to finnish two because of my decision to do the little crocodile illustration as an A piece. This  do not regret as as the extra size allowed me to add more detail and rendering giving a more fuller picture. I liked the project but would have enjoyed it more if the brief was more flexible to let me develop my original ideas.

Monday, 15 April 2013

Digital experiments (illustration Brief).

I began to experiment with pictures using tutorials from the internet. All in completely different styles and representing different emotions, scenarios and a multitude of different layering, drawing and picture editing techniques done in Photoshop.
First off I explored a tutorial created to show how to make a digital collage, working in the style Miles Donovan using layering and blending techniques. The tutorial was very different to my outcome in the sense that it was a lot more regimented linear and was based on London. I on the other hand based mine on Alice in wonderland and tried to recreate a darker more overwhelming world with the focal point around Alice from the perspective that she had just arrived. I decided that the images of mushrooms that I obtained where too life like, plain and realistic, so decided to first off change the contrast of the background of the bottom image making it brighter, breaking away from reality. I used the blur tool to give a mirage/ hallucination effect. I did the same with the rest of the mushrooms I used to make them more vibrant. I crammed the images together to give the idea off being surround and emphasise the lost feeling that at Alice would have been experiencing. The dark colours give the idea of despair and being lost to the world. I placed the mad hatter looking down on her and the Cheshire cat above her shoulder to give the idea that they are tormenting her.

The second was a Chris Ede inspire illustration tutorial except instead of using a bird I chose to use a caterpillar to relate the piece to Alice in Wonderland. The caterpillar is blue and as Chris Ede uses varied shades of the same colour, I did the same using varied shades of blue. I used postures effects on the caterpillar to turn the shades into blocks of colour. I change the contrast an the lighting on the mushrooms to give more of a negative like effect as if they are getting brighter and eventually will turn bright white giving the piece a buzz about it. For the rest of the foliage  used roses poppies. The use of the poppies relates to the pipe the caterpillar smokes, most likely opium which comes from poppies and was a popular recreational drug but was also legal at the time sand so I began to make giant dense garden the surrounds the right hand side of the caterpillar. I used the selection tools to allow me to delete the shape of the flowers from other pictures. The other pictures were blue butterflies which allowed me to get caring textures of blue and shade on the picture and by layering and rotating the pictures and changing the fill and opacity it gives the "garden" some depth and makes it look like a a lot is going on in there. I then began to trace over the original pictures with the pencil tool so that I could obtain the details of the pictures. I then put the traces over the top to give the effect you now see. I made a copy of the rose trace and placed it on its own so there was no colour to fill the empty space, making it look as if fading into the mist of the dissolved background.

This tutorial that I followed taught me how to make a vintage collage poster using a few layering techniques and the pen tool. Originally it was for a flying woman but I decide to add a little humor an incorporate the vault boy from Fallout, a game based on a post apocalyptic world which occurred in the 50s. I put a nuclear explosion in the background and in the foreground wrote the words have a good day in the typical "perfect American white picket fence" style where there is an emphasis in remaining ignorant in the face of danger.

Sunday, 7 April 2013

Photographers Gallery trip

The photographers gallery is located on rambles street, around five to ten minutes from Oxford Circus tube station and is the largest public gallery dedicated to photography in London and it allows visitors to explore photography in all its forms. When we visit the exhibition the work of Laura Letinsky, Geraldo De Barros, Jan Svoboda's, Peggy Franck, Nicole Wermers', Batia Suter, Anna Parkina, Roy Arden, Clunie Reid.


Geraldo De Barros was a Brazilian painter, photographer and industrial designer and he is considered a pioneer of modern artist photography as well as for a generation of contemporary practitioners. Born is Sao Paulo in 1923 Geraldo first established himself as a painter and a founding member of the expressionist painting studio Grupo 15. In addition to painting he began experimenting with photography and in 1946 joined the Bandeirant photo club who aimed to rejuvenated photography by bringing it away from the realism in photos which come strait from the camera. Geraldo was influenced by Gestalt theory and the idea of an incomplete form in relation to the complete version. I could see this in his exhibition even though it was unintentional because he died before finishing a collection of work, the picture bellow is an example of one of those pieces.(Link)
This piece is in that unfinished style and is one of the last  in a series that he worked on. I think that the idea  of work intentionally being left unfinished expresses that the true art in in the preparation. The taking of the photo, the editing, developing and presenting of the piece. Using this picture as an example of that, the image looks as if the artist has posted a negative up on a wall to inspect the quality and details but also to compare against the other photographs they had taken.  They could all be of the same place, but on every occasions, one factor could be different meaning that every picture is unique. The Colours present to me the idea of a dream-scape. vibrant unnatural and out of this world. When I think of the significance of this in relation to the time period where there weren't computers with advanced programs like today Photoshop and illustrator and so most experiments would have been done by changing setting on the camera and by hand and most probably outcomes accidental adding o the art in journey idea. As he was elderly at the time he crated this image it would have been unintentional but the colours could be related to the prevalent underground electronic music and recreational drug culture. Psychedelically vibrant colours but also a lot of the music was created through experimentation and by accident.